Disco Lines Takes Over Club Space Miami With Epic Three Hour House Set During III Points 2026 Weekend

Fresh off his appearance at Miami’s III Points music festival, Disco Lines is back in the spotlight with a marathon Club Space performance featuring more than three hours of house music, tech-house grooves, underground remixes, and some of his biggest records. The newly uploaded set captures the producer’s ability to move between festival-sized anthems and the deeper, extended dance floor energy that has made Club Space one of America’s most recognizable electronic music institutions.

Miami’s electronic music scene has never been particularly interested in calling it a night, and Disco Lines appears to understand that better than most. The American DJ and producer, born Thadeus Labuszewski, is featured in a newly uploaded three hour plus performance from Club Space Miami, delivering an extended journey through house, tech house, bass heavy club records, and unexpected remixes that showcase a different side of the artist’s increasingly prominent career.

Uploaded on October 28, 2026, the recording arrives alongside Disco Lines’ appearance at III Points Miami, where he also performed a separate, approximately 73 minute festival set. The proximity of the two performances makes the Club Space recording particularly interesting, offering fans an opportunity to compare how the producer approaches two very different environments within the same city’s electronic music ecosystem.

At III Points, artists must capture an audience within a relatively limited performance window, often relying on recognizable records, fast transitions, and crowd pleasing moments. Club Space operates according to an entirely different philosophy. Its legendary Terrace has become synonymous with marathon DJ sets, patient musical development, and dance floors where the energy can continue well into the following morning.

For Disco Lines, that extended format provides room to explore beyond the immediate impact of individual hits. The supplied recording runs past three hours and 20 minutes, moving through original productions, collaborations, recognizable vocal remixes, and tougher club selections that demonstrate how his sound has evolved beyond the playful, internet-friendly records that initially helped establish his popularity.

The result is a performance built around momentum rather than a conventional festival style sequence of peak moments, highlighting both the accessibility and underground influences that define his approach to electronic dance music.

From III Points to Club Space: Two Different Sides of Miami’s Electronic Music Culture

III Points and Club Space occupy distinct but closely connected positions within Miami’s music culture. III Points, held in the city’s Wynwood neighborhood, has developed a reputation for bringing together electronic music, alternative artists, experimental sounds, and contemporary visual culture. Club Space, meanwhile, is one of the city’s defining nightlife institutions, known internationally for its extended programming and Terrace performances that frequently stretch from late night into daylight.

The relationship between the festival and Miami’s club circuit is especially important because major festival weekends regularly create opportunities for artists to play multiple performances across the city. Those appearances can reveal different dimensions of a DJ’s musical identity, particularly when an artist moves from a large festival stage into a more intimate, club focused environment.

Disco Lines’ III Points performance, published separately on October 28, ran approximately one hour and 13 minutes. His Club Space recording offers a substantially longer listening experience, allowing more time for extended transitions, rhythmic experimentation, and changes in intensity.

Although the timing strongly suggests that the performances were connected to the same Miami festival period, the October 28 upload date alone does not establish when the Club Space set was recorded. The exact performance date and whether it was officially billed as an III Points afterparty require confirmation from Club Space’s event schedule or the original video’s description.

What is clear is that the two recordings offer an unusually useful comparison between the artist’s festival and nightclub approaches, with the Club Space performance providing a more expansive representation of his musical range.

Disco Lines’ Club Space Performance Is Confirmed for III Points Weekend

The connection between Disco Lines’ Club Space performance and III Points 2026 is stronger than the recording’s upload date alone initially suggested. Concert listings identify Disco Lines on the Club Space bill for Saturday, October 17, alongside Four Tet, Floating Points, Daphni, and several other electronic artists. That places his appearance directly within III Points weekend, following his late night festival booking at Mana Wynwood. The available listings establish the date and venue, although they do not independently verify that the newly uploaded recording captures that exact October 17 performance.

The distinction matters because Club Space also hosted the official III Points Satellite closing party beginning October 18, a separate 33 hour plus marathon featuring Honey Dijon, Marco Carola, Seth Troxler, and numerous other performers. Disco Lines does not appear on the published lineup for that closing event, so his recording should not be described as part of the official closing marathon. Instead, it fits within the broader festival weekend nightlife programming that brought major electronic artists to Miami’s clubs before, during, and after III Points.

The supplied track breakdown opens with Misbehave, Disco Lines’ collaboration with Ship Wrek, before moving into a remix of Loofy’s Last Night associated with Anyma and Layton Giordani. That opening combination establishes the range of the recording, moving from accessible, vocal driven house into more atmospheric electronic territory. Rather than relying exclusively on his own productions, Disco Lines uses collaborations and recognizable remixes to create a set that draws from several corners of contemporary dance music.

Around the 26 minute mark, the tracklist identifies Disco Lines’ remix of Shoreline Mafia’s Musty, bringing hip-hop influences into the performance. The recording then moves into Cocaine Inside My Blunts at approximately 41 minutes, followed by his Ship Wrek collaboration I Don’t Trust A Soul just before the one-hour mark. Together, these selections demonstrate how his production catalog accommodates different dance-floor moods, from punchy, rhythm-driven records to more melodic and vocal-oriented material.

The middle portion of the set highlights some of Disco Lines’ most recognizable contemporary club collaborations. TECHNO + TEQUILA appears around 1:19, followed by Give It To Me Good, his collaboration with SIDEPIECE, roughly six minutes later. Both selections fit naturally within the producer’s broader identity as an artist who favors energetic basslines, memorable hooks, and records that can function equally well at festivals and in packed nightclubs.

At approximately 1:48, the tracklist identifies Wide Open, his collaboration with No/Me, providing another example of his interest in balancing electronic production with distinctive vocal performances. The track selections also reflect the increasingly collaborative nature of house music, where producers regularly move between underground club releases, pop influenced records, and remixes of artists working in entirely different genres.

From KISS to Tame Impala: Disco Lines Turns Familiar Songs Into Club Records

One of the recording’s more interesting stretches arrives after the two-hour mark, when the supplied tracklist identifies Disco Lines’ remix of KISS’s I Was Made for Lovin’ You at approximately 2:21. The original song, released in 1979, combined rock instrumentation with disco influences, making it an especially fitting choice for a contemporary electronic reinterpretation. Its appearance illustrates how classic recordings can be reworked for modern dance floors without losing the recognizable musical elements that made them popular.

The set then moves into a particularly energetic sequence featuring Fk It Up, Disco Lines’ collaboration with SIDEPIECE and Mike Sherm, followed closely by No Broke Boys, his collaboration with Tinashe. These records reflect his willingness to incorporate hip hop, contemporary R&B, and dance pop influences into a predominantly house-focused performance, helping distinguish his musical approach from more traditional underground DJs.

The closing portion of the supplied tracklist includes Restless Bones at approximately 3:13 and Disco Lines’ remix of Tame Impala’s Let It Happen around 3:20. Tame Impala’s psychedelic production style has frequently crossed into electronic music, and a dance floor reinterpretation of Let It Happen offers a fitting late set selection for an artist whose sound blends pop accessibility with club-oriented production.

These timestamps and identifications come from the supplied recording breakdown rather than an independently verified official tracklist. They should be treated as a listening guide, particularly because DJ performances can contain edits, mashups, and unreleased versions that differ from commercially available recordings.

Club Space Gives Disco Lines Room to Go Beyond His Festival Sound

The most important distinction between Disco Lines’ Club Space recording and his III Points performance is the amount of musical territory he can cover. His festival recording lasts approximately 73 minutes, while the Club Space recording extends beyond three hours and 20 minutes. That additional time creates opportunities for longer transitions, deeper selections, and changes in musical intensity that would be difficult to accommodate within a tightly scheduled festival appearance.

Club Space has built its international reputation around precisely this approach to nightlife. Located in downtown Miami, the venue is particularly associated with its Terrace, where extended performances and sunrise sessions have become defining elements of the club’s identity. Its programming regularly features internationally recognized house and techno artists alongside established underground performers, reinforcing Miami’s position as a major destination for electronic music.

For Disco Lines, the Club Space appearance provides another example of his ability to operate across different sections of the electronic music industry. His popularity has been supported by recognizable collaborations, streaming audiences, and festival appearances, but an extended nightclub recording places greater emphasis on track selection, pacing, and the ability to sustain a continuous musical experience.

That versatility is increasingly valuable in an industry where artists are expected to connect with audiences across streaming platforms, social media, festivals, and traditional nightclubs. The Club Space set offers listeners an opportunity to hear Disco Lines in a format that allows his musical influences and production catalog to develop over a much longer period.

Why This Performance Matters for Miami’s Electronic Music Scene

Disco Lines’ presence at both III Points and Club Space illustrates the close relationship between South Florida’s festival industry and its year-round nightlife economy. Major festivals attract internationally recognized performers to Miami, but the surrounding club appearances often provide equally significant opportunities for fans to experience artists in different environments.

III Points has become an important platform for electronic music and alternative culture, while Club Space continues to serve as one of Miami’s most internationally recognized nightlife institutions. Together, they represent two complementary sides of a music scene that attracts both global headliners and emerging underground talent.

For South Florida audiences, the availability of both Disco Lines recordings provides a particularly interesting opportunity to compare his performances during the same festival period. The III Points set captures his approach to a concentrated festival appearance, while the Club Space recording presents a more expansive selection of original productions, collaborations, and recognizable remixes.

The performances also reinforce the importance of full-length DJ recordings in contemporary electronic music. Short social media clips may capture individual moments, but extended recordings preserve the structure of a performance and allow listeners to experience how an artist builds and maintains musical momentum over time.

The Bottom Line: Disco Lines Delivers a Marathon Miami Club Set

Disco Lines’ newly uploaded Club Space recording adds another substantial performance to an already busy III Points weekend in Miami. With more than three hours of music and a supplied tracklist featuring Ship Wrek, SIDEPIECE, Tinashe, No/Me, KISS, Tame Impala, and Shoreline Mafia, the set highlights the producer’s ability to combine recognizable songs with the rhythms and production techniques of contemporary house music.

The October 17 Club Space booking establishes that Disco Lines was part of Miami’s nightlife programming during III Points weekend, although the precise recording date remains unconfirmed. What the recording offers is an extended look at an artist whose musical identity continues to develop across festival stages, club environments, and collaborations with performers from multiple genres.

For fans who enjoyed his III Points appearance, the Club Space set provides a substantially longer listening experience and a chance to explore the deeper side of his musical catalog. For Miami’s electronic music community, it represents another example of how major festival weekends can extend far beyond the festival grounds, turning the city’s clubs into an essential part of the overall musical experience.

Featured Tracks and Timestamps

Sources & Further Reading

Primary event and venue sources

• JamBase — Disco Lines at Club Space Miami, October 17, 2026

• III Points — Official Satellite 2026 Event Schedule

• Club Space Miami — Official Venue and Terrace Information

• Greater Miami Convention & Visitors Bureau — III Points Closing Party at Club Space

• Live Nation — Disco Lines Tour Dates and Performance Information

SFL Media Related Coverage

• SFL Media — Disco Lines Rocks III Points Miami 2026 With Electrifying 73-Minute House Music Set

• SFL Media — Club Space Miami Coverage

• SFL Media — III Points Festival News and Performances

• SFL Media — More Disco Lines Coverage